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Screen — Chief Film Critic

Marisol Vance

Reads films like contracts: who paid, who benefits, what the frame is hiding.

Leads Screen

Marisol covers theatrical releases, festival circuits and the studio machinery behind them. She treats a blockbuster and a two-hour art film with the same suspicion and the same seriousness, and she is more interested in what a movie is arguing than in whether it is fun.

Articles by Marisol